Svalbard midnight sun from M/Y La Datcha — Stein Studios, Ep.01
Stein Studios · Confidential Business Plan · July 2026

The Experience
Dividend Engine

Episodes fund themselves through seats and sponsors. Every finished film manufactures licenses, format, library, and demand — compounding across LINX and AXIOM. The plan for the experiential media empire.

$0
paid by the owner of a ~$1M/week vessel — access traded for story
$0K
market-proven price of one brand license schedule — Damen, executed
0%
gross margin on substrate consulting vs 40.5% on production
0
aftermarket windows on every film the studio owns outright
The Plan
Svalbard · Ep.01 · Stein Studios
01 · The Audit

Where the business actually is

Built from the 2024–2025 returns, the reconciled Ep.01 ledger, and every executed contract. The honest baseline: 2025 looked like a $231K company — but two-thirds of it was the founder's face on a television show. The production line itself netted roughly $10–15K. That is the number this plan multiplies.

Revenue history — and what it was made of
$ thousands · 2026 = booked + committed as of July
200 400 2024 — production work: $73K $73K 2024 2025 — studio production: $75K 2025 — founder on-camera (GTGO): $156K $231K 67% = the face 2025 2026 booked: $255K — La Datcha raise, EYOS-AI, Kilimanjaro, Suri 2026 projected remainder — Monaco seats, licensing: ~$105K ~$360K 2026E
Studio production & consultingFounder on-camera (GTGO)2026 projected remainder
Sources: 2024 return · 2025 1120-S workpapers ($231,381 revenue / $54,142 net) · 2026 contracts + Ep.01 master ledger v1.3.
Gross margin by line — every bar is a real, delivered engagement
% gross margin
Production · Solace Production, M/Y Solace: 40.5% 40.5% Consulting · EYOS-AI Substrate consulting, EYOS-AI: 64.8% 64.8% Licensing · Damen Brand licensing, Damen schedule: ~90% ~90% Talent · GTGO Founder on-camera: ~90% margin, but 100% founder time + tax exposure ~90%*
*Carries reasonable-compensation and SSTB exposure and consumes 100% of founder time — capped at one engagement per year. The strategic read: migrate the mix toward licensing and consulting.

What the balance sheet doesn't show: an access network no competitor can buy — 100+ expeditions, 50+ owner and operator relationships, crews that vouch fleet-wide — an irreplaceable footage library, a written and falsifiable playbook, and LINX booking-attribution-memory rails no studio on earth has. Stated just as plainly: total founder dependency, n=1 evidence, no recurring revenue yet, rights closing in flight.

M/Y Octopus among glaciers, Antarctica — Stein Studios

"Ninety-nine percent have no access to the archive. Institutional memory has a shelf life — there is a window, and it is open now."

Ben Lyons · CEO, EYOS Expeditions — the replication-cost thesis: ~$1.1M to reshoot one week of this library
Antarctica · M/Y Octopus · Stein Studios
02 · The Model

Five engines, one flywheel

Nobody commissions the film — participation in the making of it funds it. Then the finished film manufactures four high-margin assets, the premiere sells the next season's seats, and the flywheel closes. Touch the nodes.

the premiere sells next season's seats THE ACCESS NETWORK the moat — owners · operators · crews E1 · EPISODES 4 seats × $50K + sponsor fund the shoot E2 · LICENSING brand · format · bespoke ~90% margin THE LIBRARY six windows replication-cost priced E3 · CONSULT substrate at 2.5× 64.8% proven LINX book · attribute remember E5 · THE ED SLATE FUND AXIOM-housed · Year 2 · Tribunal-gated
Engine detail

Touch a node

Hover or tap any engine to see its economics, its proof, and its rule.

Episode unit economics — 4 seats × $50K, ratified calibration
$ thousands per episode · every Ep.01 leak priced in
4 associate-producer seats × $50K = $200K Lead sponsor: $60K $260K in Seats + sponsor All-in cost $140–160K: half filmmakers · APA incl. soft costs + pilot at real rates · crew gratuity · travel cap · insurance $150K all-in Fully-priced production Net per episode: +$100–120K · worst case (2 seats) ≈ breakeven +$110K net Before licensing
Worst case — two seats — is breakeven: the episode never loses money again. Licensing sits on top. Episodes are the fuel and the factory; licensing is the profit engine.
03 · The Profit Engine

The licensing rate card

Four products, one Master Project License, every deal a schedule — signed at premieres off the emotion of the screening, never cold-pitched. Renewals create the company's first recurring revenue.

L1 · Brand Partner
$35K · $60K · $150K

Supporting · Lead · Season Partner (3 episodes) — the Damen ask at Monaco. Credit, excerpts and stills for the brand's own channels, premiere presence. 24-month term, no sublicense, category exclusivity +50%, license activates on payment. Renewal at 40%/yr.

L2 · Bespoke Library
$15–50K per campaign

Named brand, named campaign, scoped footage. Never per-clip, never stock — priced off replication cost (~$1.1M to reshoot one La Datcha week), not runtime.

L3 · ED Format License
$25–50K per production

Owners, operators, and builders run the playbook on their vessels — they fund it; Stein Studios keeps exec-producer credit, mandatory LINX rails, right of first refusal to produce. Two inbound signals already exist, unpitched.

L4 · Distribution
Reach now · MGs Year 2

Festival laurels feed sales-agent attention feed platforms. Streaming and broadcast rights stay reserved to Stein Productions in every brand schedule — the rule that keeps the streamer window alive.

Named targets, warm network only: Damen (Season, at Monaco) · Nova Yachts (live, in charter-account credit) · EYOS (Presenting — partnership agreement in progress) · After You (format license, Ep.01 as demo) · Ice Axe, Furtenbach, Coral Triangle · Carl Erik Hagen, Guy Hands, Octopus. Adjacent gear and watch brands: Year 2, inbound only.

Whale alongside expedition vessel — Stein Studios library

Anyone can film a walkthrough. Nobody else can be here.

The library — irreplaceable, owned outright, licensed forever
Antarctica · Stein Studios library
04 · The Library Aftermarket

Six windows after we own the film

The pre-production strategy funds the shoot — so the studio owns the assets outright. Then the film earns six more times, in a deliberate order. Window order is law: exclusivity products never silently kill the streamer window.

The windowing model
Month 0Month 12Month 24 → W0 · PREMIEREMonaco — the marketplace W1 · BRAND TERM & RENEWALSDamen 10-yr arc: $35K → Season $150K → $600K–1M lifetime W2 · FESTIVALSlaurels → sales-agent attention W3 · STREAMER — series license (floor) · commissioned season $300–800K/ep (the prize) W4 · OWNER LEGACY EDITION$50–150K private license — never the copyright W5 · BROKERAGE VESSEL PACKS$10–25K/yr per vessel — the annuity W6 · LINX+ TECHarm's-length royaltydisplay $10–50K/yrAI training: refused
Guardrails, absolute: never sell copyright · streaming rights reserved everywhere · no stock, ever · no AI-training sales without re-consent and a Tribunal gate · every grant carries term, territory, channels, renewal.
05 · The Owner Pitch

The Owner Story Engine

The pitch to owners is never "we'll sell you charters." It is: we build your vessel's story engine. The reference case is the expedition-charter icon that storytelling built — chartered relentlessly, operating costs materially offset, resold at roughly its purchase price, the owner crediting brand and story.

1

A story worth sharing

The film, the record, the legacy artifact. Guaranteed — it is the deliverable.

2

New distribution channels

Premiere, festivals, partner channels, marine media. Guaranteed activity.

3

Charter-demand tailwind

Instrumented and reported, never promised. The attribution rig is the proof engine.

4

Resale documentation value

The professional record travels with the vessel when it sells. Story sells boats.

M/Y Solace, Dominica — Stein StudiosM/Y Solace · Dominica · Stein Studios

The promise line, signed into every deal: deliverables are the film, campaign assets, and distribution activity — never charter revenue. Under-promise. Instrument. Over-deliver.

06 · The Economics

Three years, real numbers

Conservative case, tied to delivered engagements and market-proven prices. The mix shifts until the company is an IP business with a production arm — licensing and library carrying ~40% of gross profit by 2027.

Revenue by engine + net — conservative case
$ thousands · midpoints of modeled ranges · a streamer outcome sits on top, deliberately unmodeled
$1.0M $2.0M 2026 Episodes: $190K 2026 Licensing: $65K 2026 Library aftermarket: $12K 2026 Consulting: $45K 2026 Talent: $30K $342K 2026 net: ~$75K net $75K 2026 2027 Episodes (2): $520K 2027 Licensing: $282K 2027 Library aftermarket: $160K 2027 Consulting: $168K 2027 Talent: $125K $1.26M 2027 net: ~$505K net $505K 2027 2028 Episodes (3): $780K 2028 Licensing: $540K 2028 Library aftermarket: $367K 2028 Consulting: $225K 2028 Talent: $150K $2.06M 2028 net: ~$1.03M net $1.03M 2028
E1 EpisodesE2 LicensingLibrary aftermarketE3 ConsultingE4 TalentNet
Engine202620272028
E1 Episodes (4 × $50K + lead sponsor)$190K$520K$780K
E2 Licensing (rate card + renewals)$50–80K$260–305K$490–590K
Library aftermarket (W1–W6)$10–15K$90–230K$235–500K
E3 Consulting (2.5× rule)$45K$112–225K$225K
E4 Talent (capped, 1/yr)~$30K$100–150K$150K
Revenue$340–395K$1.1–1.4M$1.9–2.25M
Net (after all costs, deputized lead, founder comp)$55–95K$430–580K$850K–1.2M

2025 production-line net was ≈ $10–15K. The 2028 conservative target is a 60–90× multiple on that line.

07 · The 10x Architecture

From producer to format house

The conservative track scales at the speed of one calendar. The 10x track changes the production function: pods produce, franchisees license the format, verticals multiply the surface — while the founder shoots one flagship a year and guards taste. The Experience Dividend was never a yachting model — it is a model for every access-gated world.

S/Y Lamima bow — tropics vertical
Expedition Yachting
Proven · EYOS exclusive
Heli operations, Greenland
Heli-Ski & Polar
Inbound demand · 2027
Expedition trekking
Lodges & Africa
Open operators · 2027–28
Octopus helipad — aviation vertical
Private Aviation
Same physics · 2028
Ratified · The Camera

Hybrid: flagship only

One yachting flagship per year shot personally — where presence prices highest. Pods and franchisees run the rest. The first pod episode is the moat-transferability test.

Ratified · EYOS

Exclusive in yachting only

EYOS as exclusive expedition-ops partner in yachting — partnership agreement in progress, reciprocal media-exclusivity on the table. Every other vertical open. Vertical expansion is the concentration fix.

Ratified · Owner promise

Story engine only

Charter lift instrumented, never promised. The signed promise line ships in every format deal.

Ratified · Risk capital

≤ $100K personal through 2027

Legal and insurance infrastructure pre-Monaco; EP-lead #1 gates on Monaco revenue; pod one mid-2027; the AXIOM fund is the 2028 unlock.

2028 net income by track — and what each requires to be TRUE
$ millions, midpoints · no monkey, no track
BASE (this plan) Base 2028 net ≈ $1.0M — requires only that Monaco works $1.0M · Monaco works AGGRESSIVE Aggressive 2028 net ≈ $3.4M — pod, vertical, and franchise monkeys must train $3.4M · pods + verticals + franchise proven MOONSHOT Moonshot 2028 net ≈ $8M — all four monkeys + a commissioned season + the fund $8M · + commissioned season + fund
Four scale monkeys, each with a pre-committed kill rule: a pod episode ships without the founder aboard · a non-yacht vertical works · a third party pays a format royalty · a factual sales agent signs the property.
WhenHireComp shapeUnlocks
Q4 2026Head of Production / EP-lead #1 — from the Ep.01 audition bench$25–40K/episode + 10–15% of episode netPods; the founder-dependency fix
Q1 2027Head of Partnerships & LicensingBase + 15–20% commission on schedulesLicensing sold year-round
2027Post supervisor (vendor retainer) · EP-lead #2 · fractional CFORetainer / per-episodeCadence to 5–6 productions
2028EP-lead #3 · Format & franchise directorMixed10–15 productions incl. franchise

Headcount discipline: ≤ 8 full-time-equivalents, ever. The AI operating substrate carries contracts, covenants, ledgers, debriefs, and CRM — people are hired only for what machines cannot do: hold a relationship, run a deck at sea, close a sponsor at dinner.

08 · Position

SWOT

The sharpest read: our strengths and our threats share one root — everything runs through relationships held personally, with entities we don't control. The scale architecture exists to institutionalize that root without killing it.

Strengths
  • The EYOS operations partnership — the only operator that can take productions where these stories live
  • Genuine storytelling taste + talent bench — what "anyone with a camera on a boat" cannot copy
  • The access network: 100+ expeditions, crews that vouch fleet-wide
  • Market-proven prices: $35K brand schedule, $20K seat sold sight-unseen, a $1M/wk vessel for $0
  • LINX rails — no other studio has its own booking, attribution, and memory infrastructure
  • A written, falsifiable playbook + an AI back office at a fraction of competitor opex
Weaknesses
  • Founder dependency: every 2024–26 dollar needed Stein's hands, face, or relationships
  • Evidence base of one production; patterns not yet proven portable
  • No recurring revenue yet; project cash only
  • Rights closing in flight; Ep.01 sailed uninsured; seat structure not yet legally classified
  • EYOS-adjacent concentration in the current pipeline
Opportunities
  • The Owner Story Engine — a product owners demonstrably want and nobody sells
  • An unclaimed category: no incumbent owns expedition-yacht storytelling
  • Damen season partnership + every new-build launch re-buying the library
  • Streamers hungry for authentic access-driven factual series
  • Multi-vertical format: heli-ski, aviation, lodges, islands — same physics
  • The AXIOM slate fund + library as appraisable IP — the liquidity path
Threats
  • Synthetic AI content deflating footage scarcity within 12–24 months
  • Subject-reputation tails: the library's value is hostage to who is on screen
  • Regulatory surprise: flag-state, insurance, package-travel, securities framing
  • Luxury-marketing downturn; charter market cyclicality
  • A funded clone with the distribution relationships we don't yet have
  • Champion churn at partner companies; partners building media in-house
09 · Risk Sensing

The unknown-unknowns radar

Unknown unknowns can't be listed — but the surface they breed on can be shrunk, and sensors can catch them early. Fourteen assumption-debt entries, re-scored quarterly under an adversarial red team. Touch a signal. The fire zone — fast-killing and currently blind — is what the next 100 days drags left.

INSTRUMENTED BLIND SLOW KILL OVERNIGHT THE FIRE ZONE
Signal detail

Touch a signal

Each dot is an assumption the model currently holds — with its falsifier, its sensor, and its kill velocity.

Monaco Yacht Show — the revenue event

One evening in Monaco is the revenue event for everything.

Ep.01 world premiere · Monaco Yacht Show · end September 2026
Monaco Yacht Show · Stein Studios
10 · Execution

The 100-day plan

July 14 → October 22, 2026. One constraint governs the calendar: the film must be finished, the rights closed, and the paper ready before the premiere.

Days 1–14

Collect + Close

Damen $50K lands · scoped talent release unblocks · Nova priced counter — the first licensing monkey · EYOS terms + title + reciprocal exclusivity · Master Project License drafted · seat-classification memo + insurance quote commissioned.

Days 15–45

Manufacture the Assets

The cut lands · Licensing Rate Card v1.0 · three Monaco one-pagers: tropics for Damen, heli-ski for UHNW seats, Antarctica for the owner · Guest Covenant + seat contracts · EP-lead shortlist · consulting #2 at 2.5×.

Days 46–75

Monaco — the Revenue Event

Premiere end-September · four seats at one price · Damen Season Partner $150K · first schedules signed off the screening · format-license conversations open · every seat booked through LINX.

Days 76–100

Lock the Winter Episode

Winning lane gets the T-14 legal lock · crew compact + gratuity budgeted · Tribunal gate on this model · fund go/no-go · scorecard against this page.

Standing kill rules: receivables escalate Jul 25 · the licensing monkey verdict lands Aug 1 · title clean by Sep 1 or the premiere is showcase-only · fewer than 2 seats by Oct 15 → re-price before any episode commitment.

Antarctica split shot — Stein Studios, 2024
11 · The Thesis

Really hard to get.
Owned outright. Licensed forever.

Anyone can film a walkthrough. The edge is threefold and genuine: operations that reach places nobody else can run, storytelling with taste and talent, and the relationships that open the gangway. The Experience Dividend turns that edge into a self-funding production engine, a compounding library, and a licensable format — the experiential media empire, built one episode, one schedule, one window at a time.

Pending gates: Titan Council Tribunal · reference-case verification before external use · counsel memo on seat structure. This plan supersedes prior pricing-tier framing and is superseded only by its own next version.

Antarctica 2024 · Stein Studios