Episodes fund themselves through seats and sponsors. Every finished film manufactures licenses, format, library, and demand — compounding across LINX and AXIOM. The plan for the experiential media empire.
Built from the 2024–2025 returns, the reconciled Ep.01 ledger, and every executed contract. The honest baseline: 2025 looked like a $231K company — but two-thirds of it was the founder's face on a television show. The production line itself netted roughly $10–15K. That is the number this plan multiplies.
What the balance sheet doesn't show: an access network no competitor can buy — 100+ expeditions, 50+ owner and operator relationships, crews that vouch fleet-wide — an irreplaceable footage library, a written and falsifiable playbook, and LINX booking-attribution-memory rails no studio on earth has. Stated just as plainly: total founder dependency, n=1 evidence, no recurring revenue yet, rights closing in flight.
"Ninety-nine percent have no access to the archive. Institutional memory has a shelf life — there is a window, and it is open now."
Nobody commissions the film — participation in the making of it funds it. Then the finished film manufactures four high-margin assets, the premiere sells the next season's seats, and the flywheel closes. Touch the nodes.
Hover or tap any engine to see its economics, its proof, and its rule.
Four products, one Master Project License, every deal a schedule — signed at premieres off the emotion of the screening, never cold-pitched. Renewals create the company's first recurring revenue.
Supporting · Lead · Season Partner (3 episodes) — the Damen ask at Monaco. Credit, excerpts and stills for the brand's own channels, premiere presence. 24-month term, no sublicense, category exclusivity +50%, license activates on payment. Renewal at 40%/yr.
Named brand, named campaign, scoped footage. Never per-clip, never stock — priced off replication cost (~$1.1M to reshoot one La Datcha week), not runtime.
Owners, operators, and builders run the playbook on their vessels — they fund it; Stein Studios keeps exec-producer credit, mandatory LINX rails, right of first refusal to produce. Two inbound signals already exist, unpitched.
Festival laurels feed sales-agent attention feed platforms. Streaming and broadcast rights stay reserved to Stein Productions in every brand schedule — the rule that keeps the streamer window alive.
Named targets, warm network only: Damen (Season, at Monaco) · Nova Yachts (live, in charter-account credit) · EYOS (Presenting — partnership agreement in progress) · After You (format license, Ep.01 as demo) · Ice Axe, Furtenbach, Coral Triangle · Carl Erik Hagen, Guy Hands, Octopus. Adjacent gear and watch brands: Year 2, inbound only.
Anyone can film a walkthrough. Nobody else can be here.
The pre-production strategy funds the shoot — so the studio owns the assets outright. Then the film earns six more times, in a deliberate order. Window order is law: exclusivity products never silently kill the streamer window.
The pitch to owners is never "we'll sell you charters." It is: we build your vessel's story engine. The reference case is the expedition-charter icon that storytelling built — chartered relentlessly, operating costs materially offset, resold at roughly its purchase price, the owner crediting brand and story.
The film, the record, the legacy artifact. Guaranteed — it is the deliverable.
Premiere, festivals, partner channels, marine media. Guaranteed activity.
Instrumented and reported, never promised. The attribution rig is the proof engine.
The professional record travels with the vessel when it sells. Story sells boats.
M/Y Solace · Dominica · Stein StudiosThe promise line, signed into every deal: deliverables are the film, campaign assets, and distribution activity — never charter revenue. Under-promise. Instrument. Over-deliver.
Conservative case, tied to delivered engagements and market-proven prices. The mix shifts until the company is an IP business with a production arm — licensing and library carrying ~40% of gross profit by 2027.
| Engine | 2026 | 2027 | 2028 |
|---|---|---|---|
| E1 Episodes (4 × $50K + lead sponsor) | $190K | $520K | $780K |
| E2 Licensing (rate card + renewals) | $50–80K | $260–305K | $490–590K |
| Library aftermarket (W1–W6) | $10–15K | $90–230K | $235–500K |
| E3 Consulting (2.5× rule) | $45K | $112–225K | $225K |
| E4 Talent (capped, 1/yr) | ~$30K | $100–150K | $150K |
| Revenue | $340–395K | $1.1–1.4M | $1.9–2.25M |
| Net (after all costs, deputized lead, founder comp) | $55–95K | $430–580K | $850K–1.2M |
2025 production-line net was ≈ $10–15K. The 2028 conservative target is a 60–90× multiple on that line.
The conservative track scales at the speed of one calendar. The 10x track changes the production function: pods produce, franchisees license the format, verticals multiply the surface — while the founder shoots one flagship a year and guards taste. The Experience Dividend was never a yachting model — it is a model for every access-gated world.




One yachting flagship per year shot personally — where presence prices highest. Pods and franchisees run the rest. The first pod episode is the moat-transferability test.
EYOS as exclusive expedition-ops partner in yachting — partnership agreement in progress, reciprocal media-exclusivity on the table. Every other vertical open. Vertical expansion is the concentration fix.
Charter lift instrumented, never promised. The signed promise line ships in every format deal.
Legal and insurance infrastructure pre-Monaco; EP-lead #1 gates on Monaco revenue; pod one mid-2027; the AXIOM fund is the 2028 unlock.
| When | Hire | Comp shape | Unlocks |
|---|---|---|---|
| Q4 2026 | Head of Production / EP-lead #1 — from the Ep.01 audition bench | $25–40K/episode + 10–15% of episode net | Pods; the founder-dependency fix |
| Q1 2027 | Head of Partnerships & Licensing | Base + 15–20% commission on schedules | Licensing sold year-round |
| 2027 | Post supervisor (vendor retainer) · EP-lead #2 · fractional CFO | Retainer / per-episode | Cadence to 5–6 productions |
| 2028 | EP-lead #3 · Format & franchise director | Mixed | 10–15 productions incl. franchise |
Headcount discipline: ≤ 8 full-time-equivalents, ever. The AI operating substrate carries contracts, covenants, ledgers, debriefs, and CRM — people are hired only for what machines cannot do: hold a relationship, run a deck at sea, close a sponsor at dinner.
The sharpest read: our strengths and our threats share one root — everything runs through relationships held personally, with entities we don't control. The scale architecture exists to institutionalize that root without killing it.
Unknown unknowns can't be listed — but the surface they breed on can be shrunk, and sensors can catch them early. Fourteen assumption-debt entries, re-scored quarterly under an adversarial red team. Touch a signal. The fire zone — fast-killing and currently blind — is what the next 100 days drags left.
Each dot is an assumption the model currently holds — with its falsifier, its sensor, and its kill velocity.
One evening in Monaco is the revenue event for everything.
July 14 → October 22, 2026. One constraint governs the calendar: the film must be finished, the rights closed, and the paper ready before the premiere.
Damen $50K lands · scoped talent release unblocks · Nova priced counter — the first licensing monkey · EYOS terms + title + reciprocal exclusivity · Master Project License drafted · seat-classification memo + insurance quote commissioned.
The cut lands · Licensing Rate Card v1.0 · three Monaco one-pagers: tropics for Damen, heli-ski for UHNW seats, Antarctica for the owner · Guest Covenant + seat contracts · EP-lead shortlist · consulting #2 at 2.5×.
Premiere end-September · four seats at one price · Damen Season Partner $150K · first schedules signed off the screening · format-license conversations open · every seat booked through LINX.
Winning lane gets the T-14 legal lock · crew compact + gratuity budgeted · Tribunal gate on this model · fund go/no-go · scorecard against this page.
Standing kill rules: receivables escalate Jul 25 · the licensing monkey verdict lands Aug 1 · title clean by Sep 1 or the premiere is showcase-only · fewer than 2 seats by Oct 15 → re-price before any episode commitment.
Anyone can film a walkthrough. The edge is threefold and genuine: operations that reach places nobody else can run, storytelling with taste and talent, and the relationships that open the gangway. The Experience Dividend turns that edge into a self-funding production engine, a compounding library, and a licensable format — the experiential media empire, built one episode, one schedule, one window at a time.
Pending gates: Titan Council Tribunal · reference-case verification before external use · counsel memo on seat structure. This plan supersedes prior pricing-tier framing and is superseded only by its own next version.